These two paintings form a Energy Portrait of Linda. You can see clearly that it is actually two separate paintings. Linda's was the second portrait I did, and I inadvertently left no room for her corwn chakra as I began, as I usually do, at the root, and work upward.
Her crown chakra turned out to be exciting, as it reminds me of the crown of upper Egypt, and was the first time I began to realize that the forms coming through in the Energy Potraits might be real in another dimension. A subsequent portrait which featured two horns convinced me that many of the ritiual headresses and crowns devised in ancient cultures were undoubtedly meant to evoke the power and majesty of the crown chakras.
